Prior to the nineteenth century, the practice of medicine in the Western world was as much art as science. But, argues W. F. Bynum, 'modern' medicine as practiced today is built upon foundations that were firmly established between 1800 and the beginning of World War I. He demonstrates this in terms of concepts, institutions, and professional structures that evolved during this...(展开全部)

Prior to the nineteenth century, the practice of medicine in the Western world was as much art as science. But, argues W. F. Bynum, 'modern' medicine as practiced today is built upon foundations that were firmly established between 1800 and the beginning of World War I. He demonstrates this in terms of concepts, institutions, and professional structures that evolved during this...(展开全部)

In The Biopolitics of Feeling Kyla Schuller unearths the forgotten, multiethnic sciences of impressibility—the capacity to be transformed by one's environment and experiences—to uncover how biopower developed in the United States. Schuller challenges prevalent interpretations of biopower and literary cultures to reveal how biopower emerged within the discourses and practices of...(展开全部)

In The Biopolitics of Feeling Kyla Schuller unearths the forgotten, multiethnic sciences of impressibility—the capacity to be transformed by one's environment and experiences—to uncover how biopower developed in the United States. Schuller challenges prevalent interpretations of biopower and literary cultures to reveal how biopower emerged within the discourses and practices of...(展开全部)

1931年英译本首版。2014年重印。1959年重印题作《The Discovery of Language: Linguistic Science in the Nineteenth Century》。

1931年英译本首版。2014年重印。1959年重印题作《The Discovery of Language: Linguistic Science in the Nineteenth Century》。

本书为西方史学家名著，自1913年初版以来，一再重版。作者古奇是英国第一流史学家。他博览群书，对十九世纪时的西方史学家作品很熟悉，对他们所写的人物(如拿破仑)或古代史(如希腊罗马的历史)都了如指掌，所以他对当时的史学家及其作品都有独到的评论。这部书也可以说是一部史学书评。

本书为西方史学家名著，自1913年初版以来，一再重版。作者古奇是英国第一流史学家。他博览群书，对十九世纪时的西方史学家作品很熟悉，对他们所写的人物(如拿破仑)或古代史(如希腊罗马的历史)都了如指掌，所以他对当时的史学家及其作品都有独到的评论。这部书也可以说是一部史学书评。

In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant...(展开全部)